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・ Joost Hiltermann
・ Joost Hoffscholte
・ Joost Janszoon Bilhamer
・ Joost Kooistra
・ Joost Lagendijk
・ Joost Luiten
・ Joost Meerloo
・ Joost Möller
・ Joost Posthuma
・ Joost Prinsen
・ Joost Ritman
・ Joost Schmidt
・ Joost Schouten
・ Joost Schymkowitz
・ Joost Smiers
Joost Swarte
・ Joost Taverne
・ Joost Terol
・ Joost Tinbergen
・ Joost van Aken
・ Joost van Bellen
・ Joost van Bleiswijk
・ Joost van den Vondel
・ Joost van der Westhuizen
・ Joost van Dyk
・ Joost van Geel
・ Joost van Leijen
・ Joost Van Nuyse House
・ Joost van Vollenhoven
・ Joost Vandebrug


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Joost Swarte : ウィキペディア英語版
Joost Swarte

Joost Swarte (born 24 December 1947, Heemstede) is a Dutch cartoonist and graphic designer. He is best known for his ligne claire or ''clear line'' style of drawing, and in fact coined the term.〔Pleban, Dafna. ("Investigating the Clear Line Style," ComicFoundry (7 November 2006). ) Accessed 2 October 2008.〕
Comic series and characters by Swarte include ''Katoen en Pinbal'', ''Jopo de Pojo'', ''Anton Makassar'', ''Dr Ben Cine'' and ''Niet Zo, Maar Zo''- ''Passi, Messa''. He is however more famous for his numerous drawings, stamps, posters, cards, LP and CD covers, and for his magazine covers (most noteworthy the Dutch magazine ''Vrij Nederland'', the American magazine The New Yorker, and the Belgian magazine ''HUMO'' and the Italian architecture magazine ''Abitare''.)
== Background and early work ==
Swarte, born 24 December 1947 in Heemstede, studied industrial design in Eindhoven and started drawing comics in the late sixties. In 1971 he started his own comic magazine ''Modern Papier'' and made regular contributions to the Dutch comic magazine ''Tante Leny Presenteert''.

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